The Seahawk

BOOK CLUB: ‘Beautiful World, Where Are You’ is a realistic yet hopeful reflection of modern life

Abigail Celoria, Culture Editor • October 6, 2022

The Seahawk’s September book club pick “Beautiful World, Where Are You” is the perfect existential read to curl up with this fall. If you enjoy realistic fiction centered around interpersonal relationships, this novel is for you. Exploring themes of friendship, romance and humanity, “Beautiful World, Where Are You” offers an intimate look into what makes us tick.

REVIEW: Florence Pugh can’t save ‘Don’t Worry Darling’ from its own script

Abigail Celoria, Culture Editor • September 25, 2022

Despite the recent drama stirred among the cast of “Don’t Worry Darling”, Olivia Wilde’s newest feature remained an anticipated release. With the director of “Booksmart” and a star-studded cast behind it, it seemed to guarantee excellence. However, the final product is not quite the powerhouse thriller that moviegoers anticipated. The film’s disjointed writing falls apart by the conclusion, failing to capitalize on its own potential.

OPINION: Olivia Wilde stirs controversy throughout ‘Don’t Worry Darling’ premiere

Annamarie Geosits, Photography Editor • September 24, 2022

As Olivia Wilde prepares for her sophomore feature film directorial debut with “Don’t Worry Darling,” she aspires to match, or even surpass, the extremely positive audience reaction from her first feature, “Booksmart.” However, despite Wilde’s artistic credibility, the discourse following the film’s premiere at the Venice Film Festival, both public and critical, primarily concerns the drama between the main cast and director rather than the content of the film. Although there is no specific person to blame for the complete mess that was this film’s premiere, the different scandals all lead back to one common factor: Olivia Wilde herself. Although she could be to blame for the spectacle, one can't help but wonder if it would all be as big of a deal if the director was a man.

Was it worth it? Best films and TV from the summer

Anna Ford, Bradley Earnshaw, Eriq Dixon, and Lanie Padgett • September 22, 2022

Whether in theaters or on streaming platforms, this summer had a lot to offer when it comes to great entertainment. After spending summer break away, The Seahawk decided to take a look at some of the films and TV we were unable to cover. Staff writers Anna Ford, Bradley Earnshaw, Eriq Dixon and Lanie Padgett have compiled a list of the best of the summer, each with a summary and spoiler-free review.

A new school year with The Seahawk’s book club

Abigail Celoria, Culture Editor • September 2, 2022

Welcome to another year with The Seahawk! Our book club returns to lessen the stress of a new semester with a compelling September read. Our selection for this month is “Beautiful World, Where Are You” by beloved Irish author Sally Rooney.

BOOK CLUB: ‘The Overstory’ is a love letter to the natural world

Abigail Celoria, Culture Editor • May 9, 2022

The Seahawk’s April book club pick “The Overstory” is a read that will leave you looking at the natural world in wonder. If you are interested in works that transcend the traditional story format, “The Overstory” is for you. A masterful, branching work of fiction, this environmentalist narrative breaks the mold by giving trees the spotlight.

REVIEW: Netflix’s ‘Along for the Ride’ brings young adult themes and vivid imagery to Wilmington

Boyce Rucker, Staff Writer • May 5, 2022

"Along For The Ride” is a heartfelt adaptation of Dessen’s novel that pulls at our heartstrings to tell a passionate coming-of-age story about spiritual independence. Wilmington and its sibling towns help bring the film’s setting to life while capturing lighthearted teen culture. The film is one of the better YA films in recent memory and one that paints a vivid picture of North Carolina.

REVIEW: Robert Eggers crafts a visceral and scathing Viking epic in ‘The Northman’

Boyce Rucker, Staff Writer • April 24, 2022

“The Northman” is a masterful film for Eggers that showcases his capabilities with a greater budget than his previous works. Despite going from A24’s niche distribution to major studio backing from Focus Features, Eggers maintains the artistic flourishes that made his first two films worthy of acclaim. This film is an unforgettable experience that will stay with viewers for some time after watching.

OPINION: That moment at the Oscars shows us why we should stop idolizing celebrities

Boyce Rucker, Staff Writer • April 18, 2022

Celebrities are successful people due to their talents, but that shouldn’t exempt them from legal penalties or a lack of healthy coping methods. Not many of us can account for what the entertainment industry is like on the inside, but we can see how much it factors into a person’s image. This year’s Oscars only remind us of why putting celebrities on a pedestal does no more good than bad. In acting this way, we are disregarding the fact that celebrities are normal people, just like us. We can still admire and appreciate their talent, but we should never forget that they’re humans, with personal struggles, who have the capacity to act in both good and bad manners. Smith’s assault on Rock is as much a cautionary event as it is a controversial one.

Assistant Professor Sayantani Dasgupta’s ‘Women Who Misbehave’ is an ode to female rebellion

Olivia Vizethann, Staff Writer • April 9, 2022

In an ever-growing climate for feminism, UNCW creative writing Assistant Professor Sayantani Dasgupta’s book “Women Who Misbehave” is the perfect read. Dasgupta is an accomplished writer in the department, as she is the author of “Fire Girl: Essays on India, America & the In-Between" as well as “The House of Nails: Memories of a New Delhi Childhood,” along with many other short stories and essays. She will be reading from her book of rebellions at the Cameron Art Museum this Sunday, April 10th, from 1 p.m. to 2:30 p.m, providing an opportunity to enjoy her heartfelt work.

REVIEW: ‘Tokyo Vice’ is an immersive, stylish and clever neon noir vision of 90s Japan

Boyce Rucker, Staff Writer • April 9, 2022

HBO Max’s “Tokyo Vice” takes us into late 1990s Japan, where the Yakuza presence affects the way policemen investigate crime and an American reporter’s efforts to write the truth. The series is based on the 2009 memoir of the same name by journalist Jake Adelstein, the first non-Japanese reporter for one of Japan’s largest newspapers, the Yomiuri Shimbun. Serving as the pilot’s director and executive producer, filmmaker Michael Mann makes a return to television after a long absence. A master of crime drama, Mann implants his distinctive procedural style and noir elements into the series. Based on its first three episodes, “Tokyo Vice'' is one of the most stylish and clever crime shows to grace streaming this year.

REVIEW: UNCW’s ‘The Moors’ mixes 19th century Brontë class and comedy with Hitchcock’s horror and suspense

Kiley Woods, Photography Editor • April 8, 2022

Set on the dreary, haunting moors of England, this story features a twisting roller-coaster ride of events and secrets that cannot help but pull the audience in, only to keep them in the dark. Early uncertainty in the show is reminiscent of Hitchcock's mysteries such as Rebecca, with all the beauty, class and attitude of society women in Brontë’s classic novel Jane Eyre.