2024 cinematic catch-up: a look some of the best and worst films of the year
Noah Phillips, Staff Writer
• January 24, 2025
REVIEW: ‘Beau Is Afraid’ is a visually stunning, anxiety-fueled odyssey
Bradley Earnshaw, Staff Writer
• April 24, 2023
REVIEW: Let’s-a-go! ‘The Super Mario Bros. Movie’ is a fun spin on a popular franchise
Abigail Celoria, Culture Editor
• April 11, 2023
REVIEW: ‘Cocaine Bear’ is a confused entanglement of characters, storylines and tones
Bradley Earnshaw, Staff Writer
• March 2, 2023
REVIEW: ‘Ant-Man and the Wasp: Quantumania’ brings new levels of strange to the MCU but fails to deliver on plot
Anna Ford, Staff Writer
• February 22, 2023
REVIEW: ‘Avatar: The Way of Water’ is not just a movie—it’s an experience
Eriq Dixon, Staff Writer
• December 23, 2022
REVIEW: ‘Violent Night’ is an adult version of ‘Home Alone’
Abigail Celoria, Culture Editor
• December 6, 2022
The Seahawk’s favorite films and shorts from 28th Cucalorus Film Festival
Bradley Earnshaw and Eriq Dixon
• December 2, 2022
28th Cucalorus Film Festival begins in Downtown Wilmington
Nate Mauldin, Staff Writer
• November 15, 2022
REVIEW: ‘Black Panther: Wakanda Forever’ graces movie screens as a touching tribute (Contains Spoilers)
Lanie Padgett, Staff Writer
• November 14, 2022
REVIEW: ‘My Policeman’ is a compelling drama of love and self-exploration
Nate Mauldin, Staff Writer
• October 25, 2022
REVIEW: ‘Amsterdam’ starts with a bang, ends with a whimper
Bradley Earnshaw, Staff Writer
• October 9, 2022
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