REVIEW: ‘Turning Red’ has a lot of heart but falls short of Pixar greatness
Eriq Dixon, Staff Writer
• March 13, 2022
REVIEW: ‘The Batman’ displays ‘the world’s greatest detective’ in his element
Boyce Rucker, Staff Writer
• March 3, 2022
Professor Deepak Rauniyar on short film ‘Four Nights’ showing at the Berlin International Film Festival
Abigail Celoria, Assistant Culture Editor
• February 17, 2022
REVIEW: ‘Moonfall’ is a disaster movie in more ways than one
Abigail Celoria, Assistant Culture Editor
• February 6, 2022
REVIEW: ‘Reacher’ is better this time around, even without Tom Cruise
Boyce Rucker, Staff Writer
• February 6, 2022
Jamie Lane on UNCW alumni project ‘Birdies’ and indie film production
Abigail Celoria, Assistant Culture Editor
• January 28, 2022
OPINION: Reboots are fine, but they need to advance the story in a new way and have a bit of originality
Boyce Rucker, Staff Writer
• January 27, 2022
‘Scream’ (2022) is a ‘requel’ that’s ripe with charm and slashes of nostalgia
Boyce Rucker, Staff Writer
• January 16, 2022
The Seahawk’s most anticipated films of 2022
Boyce Rucker, Staff Writer
• January 8, 2022
REVIEW: ‘The Matrix: Resurrections’ is the meta anti-sequel that stands apart from its predecessors
Boyce Rucker, Intern
• December 29, 2021
REVIEW: ‘Spider-Man: No Way Home’ is the movie event of the year (Contains Spoilers)
Abigail Celoria, Contributing Writer
• December 18, 2021
REVIEW: ‘The Unforgivable’ is a gritty film about trauma at a young age and being haunted by the past
Grace Hall, Contributing Writer
• December 12, 2021
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