The UNCW Theatre Department hit the ground dancing with their electric rendition of the production, “Head Over Heels.” This is a jukebox musical that uses music of the Go-Go’s. This 80s-meets-Victorian performance was packed with powerful numbers, gifted performers and let’s not forget the vibrant costumes. “Head Over Heels” is the first musical that the university has produced in 14 years. Attending the final dress rehearsal revealed the breathtaking talent in this production, which should not be missed.
The musical is set in Arcadia, a kingdom where it’s subjects can’t live without “the beat.” The kingdom is in peril and the beat must be saved. This story is infused with love at every twist and turn. King Basilius and his queen, Gynecia, have two lovely daughters, Pamela and Philoclea. Pamela is bombarded with suitors everywhere she looks, yet no one appeals to her, while her sister has love for a man that her father disapproves of. Throughout their tumultuous journey of saving Arcadia, the characters discover where their hearts truly reside. Even the king and queen find their hearts in a different place than before.
The opening number of “We Got the Beat” is beyond energetic and showcased the talent of this cast. The opening features the strong voices of Rachel Wilson and Bella Efrid.
The set is a geometric design with a combination of colorful shapes and patterns. There is a large platform located upstage that houses the live band on stage left, as well as a winding ramp connected to this platform on stage right. The movable stairs in front of the platform served as a way for the set to demonstrate environmental diversity between scenes. The build of the set itself was clearly intentional with the consistent use of it for nearly every scene and musical number.
Each character in the show is represented by a given color. King Basilius, played by Kai Williams, is a demanding and fierce character dressed in dazzling red. Queen Gynecia, played by Rachel Wilson, is a captivating woman styled in royal purple. Pamela, portrayed by Ameila Cox, dressed pretty in pink. Philoclea, played by Victoria Gibson, in turquoise. Bella Efrid as Mopsa dressed in vibrant neon green. Musidorius, played by Zac Baker, in yellow. Dametas, played by Evan Hamula, in blue. The costume designer added a personal touch—every character in their own color Converse.
Covered in neon paint splatters and fishnet tights, the ensemble and the Go-Gets, the lead ensemble members, are a wonderful addition to this production. Their performance adds an animated and high-energy feeling to the show. Their presence is consistent and intentional throughout the performance.
There are several numbers that stand out as stellar within this show. The first being the scene where Musidorius proposes to Philoclea, leading into the number “Mad About You.” This is an incredibly entertaining and humorous part of the performance. I especially love the four ensemble members that prance on stage dressed in sheep costumes. Laughter emerged from the audience as soon as these individuals appear.
“Cool Jerk” and “Vacation” are so much fun to watch. Both include large dance numbers with main cast members, as well as the ensemble. The creative use of props and costuming in the “Vacation” dance number is very enjoyable to watch. Dancers use prop suitcases, wear leis around their necks and even have hot pink flippers for shoes.
Nat Pressley, portraying the role of Pythio/Oracle, gives a show-stopping performance of “Vision of Nowness.” Their execution of this number is nothing short of electric. Gasps were heard throughout the audience from the sheer amazement of their talent.
Amelia Cox did an incredible job in her rendition of “How Much More.” Her character Pamela is irritated and acting a little crazy when she discovers that her and her sister has feelings for the same person. Her humorous approach to the scene resulted in abundant laughter from the audience. Cox falls into this role with ease and is a joy to watch.
The opening of Act II is just as powerful as the opening of Act I, with the cast singing “Head Over Heels.” Act II does take a more somber turn than expected. After this particular tragedy, the cast delivers the standout performance of the entire production. The number, “Here You Are,” is packed full of emotion and raw talent. I got goosebumps watching this scene and hearing the angelic voices of the cast in unison.
Throughout the show, there is a touch of adult humor that is very well-executed. It adds a light-heartedness to the show that makes it even more entertaining.
The live band located on stage gives a remarkable performance. This aspect of the show is beautiful to witness and adds an exceptional layer of depth to the production. The musicians seamlessly integrate into the show, and their presence is not just heard but felt. They amplify the emotional tone of each scene flawlessly. Their inclusion truly elevates the experience as an audience member.
This is quite the breakout production for the UNCW Theatre Department. The energy, passion and talent poured into this show is palpable in every scene. From the dynamic performances of the cast to the creative direction in costuming, it’s clear that no detail has been overlooked. The commitment to bringing this story to life is inspiring, and it speaks to the incredible growth and vision of the department. I have no doubt that this will be a success and will leave a lasting impression on audiences.
Go-Go see this production while you still can! The show is running through this weekend, November 21st-24th. For additional information, show times and ticket purchase inquiries, visit the Kenan Auditorium box office website.
